The 2015 Season has finished, once again with a mixed reception. Some loved our selections, others hated them. Using the “Starbox” system, members of the audience are invited to vote out of 5 on each film – it is most interesting the range of views on any particular showing – recently, we had a total of 26 votes – 4 gave 5, 14 gave 4, 3 gave 3, 3 gave 2, and 2 gave 1. This was a full gamut of opinion from “outstanding” (5) to poor (1), which illustrates that film, as with any art form, is a very personal experience.
No doubt, the 2016 season will arouse a similar range of opinions. If some films arouse passionate debate, we have succeeded in our aim: to expose our members to the vast range of styles and interpretations used by the makers of films, the artists of our generation. Even the trailers, available now on our 2016 Season page, we hope will pique your curiosity and interest. Happy viewing!
Australian film “Disgrace”, directed by Steve Jacobs, screened last Friday and was scored highly by the audience of Barossa Film Club members. 28 people voted and most gave it 4 or 5 Starbox points, although there were a few dissensions, with an average rating of 4.05. John Malkovich was outstanding – he is a very fine actor, and a little more restrained than he usually is, while Jessica Haines has matured into a very good and subtle actor. An outstanding film.
Barossa Film Club is showing a powerful Australian drama “Disgrace”, made in 2008, directed by Steve Jacobs, and starring John Malkovich. Based on J.M. Coetzee’s Booker-winning novel, it tells the story of Cape Town professor David Lurie, who blatantly refuses to defend himself for an affair with a coloured student whom he gave a passing grade for an exam she didn’t even attend. Dismissed, he moves to his daughter Lucy’s farm, which she runs under most disadvantaged terms, favouring the black locals. Yet rowdies, unprovoked, violently rob and abuse them both. Lucy refuses to fight back, unlike David, who is surprised by his own altruistic potential.
This is an enormously complicated story with great potential for reductive schmaltz, but this is avoided thanks to Anna Maria Monticelli’s sharp, sensitive screenplay and superb performances from Jessica Haines and, particularly, Malkovich as Lurie, a self-described ‘beast’ as isolated and conflicted as the country he inhabits.
The film will show at the Faith College Wine Centre on Friday 20th May. The evening commences at 7.30 pm with a short movie, then a break for refreshments, followed by the main film. Film Club membership is obtainable at the door. For a preview of “Disgrace” visit the Barossa Film Club website or Facebook page or obtain more details from President Imelda Carson on telephone 8564 8225.
The Barossa Film Club presents a film by Hong Kong Director Wong Kar Wai “2046”. This is a companion piece to “In the Mood For Love”.
Chow is a writer. He thinks he writes about the future, but it really is the past. In his novel, a mysterious train leaves for 2046 every once in a while. Everyone goes there has the same intention — to recapture lost memories. It is said that in 2046, nothing ever changes. Nobody knows for sure whether it is true, because nobody who goes there has ever come back — except for one. He was there. He chose to leave. He wanted to change.
Andrew Sarris, New York Times film critic, commented in 2007, “Quite simply an incomparably sublime work of art, a triumph of lyricism over narrative in the cinema, and the most exquisite homage to the beauty of women it has ever been my privilege to witness on the screen.”
The evening will commence at 7.30 pm on Friday 15th April at the Wine Centre at Faith College, with a short film, then, after a break for refreshments, the main feature will screen. Membership is obtainable at the door. Details are available on the Film Club Facebook page or on the website, or ring 8564 8225.
“Senna” screened last Friday night. Many people in the audience were very pleasantly surprised at how gripping and absorbing the documentary was, quite emotionally engaging without over-sentimentality. A very good piece of film-making. The audience gave it an average rating of 4.3 out of 5, one of the best scores we have seen.
“Senna” (2010) is a documentary directed by Asif Kapadia and produced by Tim Bevan, Eric Fellner and James Gay-Rees. It was written by Manish Pandey and stars Ayrton Senna, Alain Prost, Frank Williams and Ron Dennis..
Senna begins quietly, without foreshadowing or bombast, or Icarus analogies, or talking heads. There’s only aural commentary from those who knew Ayrton Senna, the magically confident Brazilian Formula 1 driver who arrived on the scene in 1984. His rise was meteoric, but this great documentary stays grounded, following his career path with steady introspection, race by race, season by season.
There’s no way Asif Kapadia’s movie could fail to satisfy racing fans, particularly those who remember the heady days of Senna’s ascendancy. The narrative is just too strong, particularly the clash of sensibilities with his great rival Alain Prost, ice to Senna’s fire; the cockpit footage through chicanes and dog-legs, much of it previously unseen, puts us in each fraught moment. The shaping of Senna’s story is so methodical and contained that it achieves a mournful scope.
Winner of a BAFTA Award and numerous other awards and distinctions, “Senna” will screen on Friday March 18th at the Faith Wine Centre. The evening will commence at 6.45 pm with the Film Club Annual General Meeting, a short film at 7.30 pm, then a break for refreshments and the main film will screen. Membership for the year will be available at the door. Inquiries to President Imelda Carson on 8564 8225.
Entirely unexpected film last Friday night. We had ordered “Monsiour Lazhar” but when we opened the parcel from the distributor it was an entirely different film, “Of Gods and Men”, a French film about an order of Trappist monks, whose members include Christian (Lambert Wilson) and Luc (Michael Lonsdale), who live among the Muslim population in a quiet corner of Algeria. As the country is plunged into civil war in the mid-1990s, the men of God must decide whether to stay among the impoverished residents who have been their neighbors, or flee the encroaching fundamentalist terrorists. The situation that unfolds, based on actual events, has tragic consequences.
This was a good film, although a little slow for some of the audience’s tastes. Overall, it scored 3.75 out of 5.
Barossa Film Club ends its 2015 season with a screening of French-Canadian film “Monsieur Lazhar”, directed by Philippe Falardeau and starring Mohamed Fellag, Sophie Nélisse and Emilien Néron. Made in 2011, this is a moving story of love and compassion.
It tells the story of a Montreal middle school class shaken by the death of their well-liked teacher. Bachir Lazahr, a 55-year old Algerian immigrant, offers the school his services as a substitute teacher and is quickly hired. As he helps the children heal, he also learns to accept his own painful past.
Ann Hornaday, film critic for the Washington Post, commented “Monsieur Lazahr resembles a clear, clean glass of water: transparent, utterly devoid of gratuitous flavourings or frou-frou, and all the more bracing and essential for it.”
This is the Club’s last screening for the year. The evening will commence at 7.30 with a short film from Finland “Do I have to take Care of Everything?”, followed b y a break for wine and cheese and then the main feature. Faith College Wine Centre, Friday 20th November. All members and their guests are welcome. Enquiries Film Club website or Facebook or ring Imelda Carson on 8564 8225.
Barossa Film Club presents a glistening gem among caper movies “Le Cercle Rouge” (“The Red Circle”), made by acclaimed Director Jean-Pierre Melvile and released in 1970. This is a classic police procedural meets heist movie, a stylish neo-noir which set a benchmark for similar films of the future.
The story: Corey (Alain Delon) is the young gun in the French underworld, who has just been released from prison. Escaped convict Vogel (Gian-Maria Volonté) hides in the trunk of Corey’s car. The two enlist the help of an alcoholic former cop (Yves Montand) for an elaborate jewelry-store robbery. Police inspector Mattei (Bourvil) whom Vogel escaped in the beginning of the film is on the case trying to recapture the criminals. He is not opposed to using blackmail techniques to get answers out of the unwilling witnesses and criminals brought in for questioning.
Critics raved over the film when it was released and continue to regard it as the benchmark for films of this genre.
The film will screen at the Faith Wine Centre on Friday 16th October, with the short Netherlands film “Chopper” showing at 7.30 followed by a refreshment break and then the main attraction, “Le Cercle Rouge”.
Great rating of 3.5 for our September movie, Australian film “Four of a Kind’. A most intriguing plot, excellent acting, and a great ending – what more do you want. Unfortunately, as with many Australian films, this did not receive the exposure it deserved in the cinemas. Shows that our films are in a class to match overseas efforts.