Welcome

A warm welcome to the Barossa Film Club web site. where we will keep you up to date on which movie we are showing each month, and offer a summary of the story and what the critics have said about the film.

In 2012, the Club has broadened its range of offerings, and we are covering a number of genres, from comedy to Western, from drama to musical.  We hope that you will find the broad range interesting.  Often, we eschew a particular style because it is not to what we perceive as our taste; equally often, the effort to view that style gives surprising pleasures.  All of the films selected were chosen because they are outstanding examples of the art of film.

Film is a visual art-form which aims to tell a story and in so doing stir emotion in the viewer.  Not all the selections are easy to view – some may require more thought and effort than others, but all will reward us for the effort.  On our 2012 Programme page, we have listed the full year’s selection.

We welcome feedback on all the films, either before or after viewing.  At the end of each screening we ask the audience to rate the film, but we also welcome expanded comments at any stage.

Happy viewing in 2012!

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Thought-provoking “The Boy In the Striped Pyjamas” to show in May


This film approaches the Holocaust from the perspective of eight=year old Bruno. When his SS father is promoted to a post in the country, Bruno finds his new home, away from his friends in Berlin, ratrher lonely, especially as he is forbidden to go near an adjoining farm, where all the farmers and the children wear striped pyjmas. Sneaking away from his mother, Bruno finds himself up against a barbed wire fence, on the other side of which is another boy, Shmuel.
This 2008 film was directed by Mark Herman and stars Asa Butterfield, David Thewlis and Rupert Friend. The cinematography is excellent, and the performances are impressive, particularly by the two boys and the mother. There are times when the story lacks subtlety, but ultimately it is a moving and life-affirming film.
The preceding short film is the Australian “Yolk” and commences at 7.30 pm on Friday 18th May at Faith Wine Centre. The main film will show after a short break for refreshments.

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The Band Wagon scores 3.1

The audience for “The Band Wagon”, our showing for April, was quite sharply divided on assessing its merits. One the one hand, many loved the familiar songs and the great dancing from Astaire and Charrise. On the other side, some deplored the weak story-line and the very contrived set-pieces, particularly the rather weak gangster dance sequence. There again, we have to remember this was 1953 and the film-medium was there for entertainment – musicals were an extension of the Broadway review, with a series of pieces designed to highlight the music and dance, all held toegther by a weak thread of story. Today’s flashy special effects would have produced a very different kind of “Band Wagon”

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The Band Wagon: Dancing With the Stars!

A great example of the Hollywood musical “The Band Wagon” will be the April presentation at the Faith Wine Centre on Friday 20th April, with the programme which includes New Zealand short film “This Is Her”, commencing at 7.30 pm. Directed by Vincent Manelli and starring Fred Astaire, Cyd Charisse and Jack Buchanan, “The Band Wagon” was first screened in 1953. Regarded by many as second only to “Singin’ In the Rain”, the story is of an aging musical star who hopes that a Broadway play will revitalise his career. However, the play’s director wants to make it a pretentious retelling of Faust, and brings in a prima ballerina, who clashes with the star.
With fabulous dancing by two of the greatest dancers in film history, this is a fun movie with some seriously good choreography.

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Bergmann film scores 4.3 out of 5

Ingmar Bergmann’s masterpiece from the 1960′s, “The virgin Spring”. scored 4.3 points out of 5 from the audience at the recent showing by the Barossa Film Club. In lesser hands, this somewhat grim tale of rape and revenge would have been sensational and uncomfortable to watch. Bergmann dealt with it in a totally non-exploitative manner, and created a cinematic masterpiece with some excellent performancs from his cast. The style of acting was typical of its era, slightly theatrical and mannered by modern standards, but no less empathetic for the audience. Bergmann fully deserved his first Academy Award, and the audience agreed with the honour.

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Barossa Film Club Annual General Meeting

The Film Club will hold its Annual General Meeting at 6.45 pm on Friday 16th March at the Faith Wine Education Centre. President Imelda Carson will present her report and Treasurer Bronwen Topfer the annual financial statement. All positions on the Committee are open for nomination – Committee duties are by no means time-consuming and, if you have a passion for film, and would like to contribute your views on the selection for showing, please consider standing for a position on the Committee

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March 16th: “The Virgin Spring”

Renowned Swedish Director Ingmar Bergman was at the height of his powers when he won his first Oscar with this powerful tale of superstition and religious faith, rape and revenge, set in 14th century Sweden, where the villagers vacillate between Christianity and paganism. Starring Max vaon Sydow, Birgitta Valberg and Gunnel Lindblom, this film is hallmark Bergmann with formal simplicity and overt symbolism, shot in black and white, which adds to the extraordinary power of this classic motion picture. Dialogue is in Swedish and German with English sub-titles.
On Friday March 16th, the Annual General Meeting will commence at 7 pm and the screening is at the Faith Wine Education Centre, with a British short film “The Plank” at 7.30 pm, followed by the main feature after a short break. Everybody welcome.

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Million Dollar Baby scores 3.9/5

Our first showing for 2012 was Clint Eastwood’s “Million Dollar Baby”, the film which proved Hilary Swank’s acting prowess by scoring her an Academy Award. Unfrortunately on the night, due to some untried equipment, we had some technical problems, which meant that we had a running commentary for the visually impaired throughout the film. This spmewhat spoiled the audience picking up on the nuances of the actors’ performances, when each move was explained. In addition, some of the audience found the subject-matter – women’s boxing – somewhat disturbing. Undoubtedly, it was not as graphic as many modern movies, but it certainly made the brutality of the sport quite clear. Under the circumstances, a score of 3.9 out of 5 represented the audience’s feelings quite well.

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Wine, Cheese and a Million Dollar Baby to start 2012

FRIDAY 17TH FEBRUARY 7 PM

2012 SEASON LAUNCH WITH WINE AND CHEESE

We kick off our 2012 programme with one of Clint Eastwood’s best films as a director. “Million Dollar Baby” starring Eastwood himself, and two very fine actors, Hilary Swank and Morgan Freeman.  Swank earned an Oscar as the white-trash waitress determined to carve out a career as a boxer with the reluctant help of Eastwood.  Made in 2004, this is a fine film, well worth a repeat viewing if you have seen it before, and a must for anyone who is coming to it for the first time.

 

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“Unfinished Sky” rated 3.9 out of 5

Our last showing for 2011, Australian film “Unfinished Sky”, was rated 3.9 out of a possible 5 by those attending.  This was an enthralling film about a topical subject with good performances by the cast and a strong script.  Although the basic story concerned themes that are subjects of hot debate in Australian society now – refugees, illegal workers – the intelligent script covered themes of universal significance: hurt, despair, cruelty and, ultimately, the capacity of the human spirit to rise out of the ashes.

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“Unfinished Sky” with Wine and Cheese!

The Barossa Film Club’s last screening for 2011 is the outstanding Australian romantic drama “Unfinished Sky”.  Directed by Peter Duncan. the film won 5 AFI Awards for screenplay, musical score, cinematography and acting, including best actor for William McInnes and best actress for Monic Hendricx.  McInnes, surely one of the most under-rated actors in Australia, plays farmer John, a loner who has withdrawn from the world after losing his wife.  He finds a bloodied and bruised Afghan refugee (Hendricx), who cannot speak English, but who is obviously terrified and traiumatised.  He reluctantly takes her in and nurses her back to health, and the two gradually discover more about each other’s pasts.

“Unfinished Sky” is an engaging, intriguing and unpredictable drama.  The acting is brilliant, and the whole film a fine example of how very good Australian film-making can be, when it is telling a universal story, rather than trying to be quirky.  It embraces the human spirit, showiing its resilience and its power when it embraces hope and a willingness to take a chance.

The film will show at the Faith College Wine Centre on Friday 11th November.  A short film from Ireland, “New Boy”  will show at 7.30 pm and the main feature after an interval, at which we will be offering cheese and wine.  Everybody is most welcome.

This is a fitting climax to a year of interesting films -come and join us!

 

 

 

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